Music Box and Moonflowers
At the end of the day at Grandpa's house, there wasn't much talking and no tales were told, even for the first time. Sometimes we all sat listening to a music box play.
There was a rack pulled out from inside the music box; we could see it holding shining metal discs as large as silver waiters, with teeth around the edges, and pierced with tiny holes in the shape of triangles or stars, like the tissue-paper patterns by which my mother cut out cloth for my dresses. When the discs began to turn, taking hold by their little teeth, a strange, chimelike music came about.
Its sounds had no kinship with those of "His Master's Voice" that we could listen to at home. They were thin and metallic, not exactly keeping to time--rather as if the spoons in the spoonholder had started a quiet fretting among themselves. Whatever song it was was slow and halting and remote, as if the music box were playing something I knew as well as "Believe Me If All Those Endearing Young Charms" but did not intend me to recognize. It seemed to be reaching the parlor from far away. It might even have been the sound going through the rooms and up and down the stairs of our house in Jackson at night while all of us were here in Ohio, too far from home even to hear the clock striking from the downstairs hall. While we listened, there at the open window, the moonflowers opened little by little, and the song continued like a wire spring allowing itself slowly, slowly to uncoil, then just stopped trying. Music and moonflower might have been geared to moved together.
Then, in my father's grown-up presence, I could not imagine him as a child in this house, the sober way he looked in the little daguerreotype, motherless in his fair bangs and heavy little shoes, sitting on one foot. Now I look back, or listen back, in the same desire to imagine, and it seems possible that the sound of that sparse music, so faint and unearthly to my childhood ears, was the sound he'd had to speak to him in all that country silence among so many elders where he was the only child. To me it was a sound of unspeakable loneliness that I did not now how to run away from. I was there in its company, watching the moonflower open.
--Eudora Welty, "One Writer's Beginnings"